I have been increasingly disappointed with movies and books lately. You know, authors/filmmakers, if you're going to write/film a series,
write and/or film a damned series. Don't write a huge, epic, fantastic series and then throw the last book/film out like "OMG REEHEEHEE!" and like you've filmed and/or written the whole thing while on crack. It's terrible. It's horrible. It makes me never want to read another series again. It makes me hate the character the next time I pick up the book/see the film because
you know they are going to leave you with the literary and/or film equivalent of 'all dressed up but nowhere to go,' if you catch my meaning. And worse,
worse! it seems to be the unfortunate norm these days.
Allow me to give you a few examples.
Harry Potter - Books 1-7. This is the epic-est of epics. The foreshadowing was done
in the first book. It was so cunningly crafted, so well told, so graceful and powerful and full of subtle morals... then in the last book, Harry and his friends go tromping around
in the wilderness for about eleventy billion pages. You scream, you flip forward a few pages and see that they are still wandering about like typical boring teenagers, then you go back to reading, hoping
beyond fucking hope that they will actually do something interesting. Just as you are starting to draw mental parallels between JKR and Robert Jordan, finally, they get out of the wilderness, fight Voldemort for about 5 pages, only to wind up in the most poorly written epilogue between the Bible and
The Pokey Little Puppy. Pirates of the Caribbean - Films 1-3. Epic. Beautifully told, vibrantly filmed. Perfect characters that evolve and change, or don't evolve and change but remain solidly like we expect them. My favorite character (next to Jack, of course) is Elizabeth - she becomes a strong female character, becomes a pirate, takes control of an entire fleet of ships. I'm secretly cheering her on from the second movie, willing, nay,
begging her to choose Jack, or begone with the limp biscuit of
Legolas Will Turner, AND THEN SHE GOES AND CHOOSES WILL AND THEY GET MARRIED AND HE GOES OFF TO BE DEATH-PIRATE AND SHE STAYS BEHIND ON A DESERTED ISLAND TO HOLD ON TO HIS HEART AND OMGHEEHEE SEE HIM ONCE EVERY 10 YEARS. I watched the last 10 minutes in desperate denial, no, she wasn't choosing Will, no, Jack was her true heart and soul, a man that isn't dominated but is an equal, no, she's
not going to bloody sit around on an island for ten years holding onto a box because she's stronger and better and more willful than that and they couldn't even keep her in a cabin for more than ten minutes and-!!! Alas. My fervant denial was for naught. The end of the movie - cunningly left open, kind-of - is a dismal wasteland of predictability. No, Disney, those were not tears of the Touching Moments (tm) that you enshrined the last few minutes of the movie in, those were tears of
disappointment. The kind of disappointment that you feel when you're up in some silly, super-tight prom dress and it's 10pm and your date hasn't shown up for the last four hours. THAT kind of disappointment.
Twilight : Books 1-4. Okay. Books 1-3. We're leading up to it. We're getting there. And despite the inane mind-chatter of Bella, it's actually quite good. Yeah, she totally makes you want to smack the next mall-rat you see, but you're into it. At least I was. The tension is so thick you could throw bricks at it and they would simply rebound from its Hulk-like force. Will he? Won't he? WILL THEY!?
Then the last book happens like a carwreck. BOOM! SMASH! She's a VAMPIRE! She's PREGNANT! EVERYONE'S PISSED! Someone brought feather pillows! If you were to accurately summarize it, it would resemble nothing so much as a Maury Povich 2-hour special. You cry, you tremble, and it isn't because the author has done a masterful job of weaving the story into a climactic, beautiful ending, no! It's because it's so
awful you have to weep tears of disgust and then
pretend like the last book never happened and it's Up To You, Oh Adoring Fan to make the ending because Stephanie Meyer has died in a tragic car accident, so you log on to FanFiction.net and start writing your epic novel to end all novels... do nothing about it except weep into your pillow at night. Every night. For a month.
The Sword of Truth Series - Books 1-7. I picked up this book at the impressionable age of 18. And, I loved it. I loved it in a big way. Kahlan is a strong heroine (for the most part). God, in the second (it might be the third...) book, when she
leads an army and just starts indiscriminately killing the enemy, it's pure literary genius. Richard has his moments too - though he tends to the whiny side, as most heroes do - when your hair stands on end because it's just sheer brilliance. And the fifth book? What a friggin' climax. I LOVE IT.
Then... the seventh book came out. What? I thought it was over. OH IT'S NOT OVER. TERRY GOODKIND, NOT HAVING TORTURED KAHLAN AND RICHARD ENOUGH, SEEKS TO TORTURE THEM FOR ANOTHER
FIVE BOOKS. And as if Richard hasn't spouted his "Every man owns himself, no one owns him" rhetoric enough, he has to go around spouting it, indiscriminately while searching for Kahlan (whom always gets kidnapped/near-raped/stripped of her power at some point) AROUND THE REST OF THE WORLD. THE. REST. OF. THE. WORLD. Seriously. And you, joyful, inept reader, will be subjected to AT LEAST ELEVENTY BILLION PAGES of him spouting said rhetoric. And then you will cry, again, as I did. Because your eyes are bleeding at the end of it.
There are some series of works that you read because you aren't expecting the kind of compact story-telling that encompasses these. You may read the Discworld series, for example, because you want to pee your pants laughing. You may watch the Star Wars series because you like really good scifi (okay, the original series, not the new one). You may read Robert Jordan's Wheel of Time series because you really wish to throw yourself down six flights of stairs but you lack the courage.
But when you have a.) good story-telling, b.) charismatic main characters, and c.) an inspiring story that is continuous and compact, and then you let your last book(s) or last films be written by the glue-sniffing hobo down the street and his good friend Edgar the Invisible Giraffe... you kill me. I die little bits every time this happens. God kills kittens when a writer or filmmaker lets Edgar edit. Have you seen many kittens lately? THAT'S WHY. YOU MAY BLAME IT ON STEPHANIE MEYER.
So please. Please, for the kittens, let this sad trend die. Please stop murdering your characters, your plots, your entire universes. Please stop writing horrible, awful sequels that will make you lots and lots of money but simultaneously make all your fangirls all over the world cry out in one piteous voice and then, suddenly, be silenced. Yes, money may temporarily drown out our cries, but not forever, no.
Somewhere, somehow, someone will wait for your copyright to expire. Oh yes, it may not be today. It may not be for eighty years plus thirty. But it will happen. And then, yes, we shall have our
revenge.